Page 37 - Annual Magazine 2017
P. 37

FASHION | A TRUE LEGEND




































 COLLECTIONS
 His collections combined
 an in-depth working
 knowledge of bespoke
 British tailoring



 Beirut. Throughout this time, McQueen continued to grab the public’s   well as for the romantic and determinedly contemporary nature of his
 attention with his provocative, uncompromising, and often disturbing   collections. However, it became inevitable that the British designer,
 presence in the global fashion industry. Perhaps one of his most   who had been awarded the coveted Designer of the Year Award at
 memorable creations is the reptile-scaled lobster-claw shaped boots   the British Fashion Awards four times, would come to be defined by
 that became known as Armadillo boots. The 10-inch heels were made   shock and violence. Despite his many accolades (McQueen also won
 most famous by pop star Lady Gaga, one of McQueen’s biggest fans   Men’s Wear Designer of the Year award in 2004, the CFDA Award for
 herself. As daringly provocative as the Armadillo boots were, they   Best International Designer in 2003, and was honoured with a CBE
 were also accompanied by the very real fear that with one twist of an   from Queen Elizabeth II for his services to the fashion industry), and
 ankle, the whole runway show could end in disaster, and McQueen   the true talent and hard work which shone through in his designs,
 would be remembered for callously putting his models in danger.   Alexander  McQueen’s success was clearly  fraught  with  internal
 struggle. Following his tragic death, many concluded that his was a
 narrative in which darkness would inevitably prevail.
 He was a pink sheep   The quality of McQueen’s work was often described in superlatives.
 His collections combined an in-depth working knowledge of bespoke
 in a family of black   British tailoring, the fine workmanship of the French Haute Couture
 atelier and the impeccable finish of Italian manufacturing. However,
 cab drivers.  behind it all was a troubled man who seemed to be heading towards an
 inevitable bleak end. It is perhaps most fitting to his legacy, therefore,
 that upon his death, the single item which was sold out worldwide was
 the McQueen scarf adorned with his trademark skull motif. A subtle
 reminder of a brilliant man who was ultimately engulfed by his own
 Brutal imagery  was echoed in McQueen’s shows  throughout his   darkness.
 career. His debut in 1995 was the highly controversial Highland Rape
 show. Models with matted hair, blanked out eyes, torn garments and
 bloodied bodies ignited fury amongst the public. In his subsequent   fame
 seasons, McQueen’s shows were peppered with such imagery as rings
 of flames and glass boxes shattering to reveal moths fluttering around   McQueen never felt comfortable with his fame: "I didn't plan out
 the masked face of a naked woman.
 my life like that. When people recognise and respect what you do,
 that's nice, but I don't think you ever do this to be famous. Fame
 HIS INTERNAL STRUGGLES  should be left to the film stars. We're just offering a service."
 His shows were praised for their emotional power and raw energy, as
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 Aphrodite Hills Resort                                                                                 Aphrodite Hills Resort
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