Page 36 - Annual Magazine 2017
P. 36

FASHION | A TRUE LEGEND




































                                                                                                COLLECTIONS
                                                                                                His collections combined
                                                                                                an in-depth working
                                                                                                knowledge of bespoke
                                                                                                British tailoring



            Beirut. Throughout this time, McQueen continued to grab the public’s   well as for the romantic and determinedly contemporary nature of his
            attention with his provocative, uncompromising, and often disturbing   collections. However, it became inevitable that the British designer,
            presence in the global fashion industry. Perhaps one of his most   who had been awarded the coveted Designer of the Year Award at
            memorable creations is the reptile-scaled lobster-claw shaped boots   the British Fashion Awards four times, would come to be defined by
            that became known as Armadillo boots. The 10-inch heels were made   shock and violence. Despite his many accolades (McQueen also won
            most famous by pop star Lady Gaga, one of McQueen’s biggest fans   Men’s Wear Designer of the Year award in 2004, the CFDA Award for
            herself. As daringly provocative as the Armadillo boots were, they   Best International Designer in 2003, and was honoured with a CBE
            were also accompanied by the very real fear that with one twist of an   from Queen Elizabeth II for his services to the fashion industry), and
            ankle, the whole runway show could end in disaster, and McQueen   the true talent and hard work which shone through in his designs,
            would be remembered for callously putting his models in danger.   Alexander  McQueen’s success was clearly  fraught  with  internal
                                                                 struggle. Following his tragic death, many concluded that his was a
                                                                 narrative in which darkness would inevitably prevail.
                      He was a pink sheep                        The quality of McQueen’s work was often described in superlatives.
                                                                 His collections combined an in-depth working knowledge of bespoke
                       in a family of black                      British tailoring, the fine workmanship of the French Haute Couture
                                                                 atelier and the impeccable finish of Italian manufacturing. However,
                            cab drivers.                         behind it all was a troubled man who seemed to be heading towards an
                                                                 inevitable bleak end. It is perhaps most fitting to his legacy, therefore,
                                                                 that upon his death, the single item which was sold out worldwide was
                                                                 the McQueen scarf adorned with his trademark skull motif. A subtle
                                                                 reminder of a brilliant man who was ultimately engulfed by his own
            Brutal imagery  was echoed in McQueen’s shows  throughout his   darkness.
            career. His debut in 1995 was the highly controversial Highland Rape
            show. Models with matted hair, blanked out eyes, torn garments and
            bloodied bodies ignited fury amongst the public. In his subsequent        fame
            seasons, McQueen’s shows were peppered with such imagery as rings
            of flames and glass boxes shattering to reveal moths fluttering around   McQueen never felt comfortable with his fame: "I didn't plan out
            the masked face of a naked woman.
                                                                   my life like that. When people recognise and respect what you do,
                                                                    that's nice, but I don't think you ever do this to be famous. Fame
            HIS INTERNAL STRUGGLES                                   should be left to the film stars. We're just offering a service."
            His shows were praised for their emotional power and raw energy, as
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       Aphrodite Hills Resort                                                                                                                                                                                                        Aphrodite Hills Resort
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